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modern deskFriday, 10 July 2026

The People’s Glorious Donation to the Central Intelligence Agency

How a Horny Diplomat and a Bad Arms Deal Accidentally Funded America’s Worst-Ever Musical

By Tatiana Romanova-Volkov
Everyone at the table was deeply, impressively stupid.
Everyone at the table was deeply, impressively stupid.
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Ah, 1993. The Soviet Union was a garage sale, America was drunk on its own supply, and the global intelligence community was basically that one John Travolta meme. Everyone was just kinda standing around, confused. Enter Minister Pak Yong-chol of North Korea, a man whose ambition was rivaled only by his truly heroic perspiration—seriously, the guy could rust a battleship just by looking at it. Pak had a problem: his mistress in Macau had expensive taste and he had a warehouse full of Soviet-era anti-tank missiles he’d “borrowed” from the People’s Army. So, he did what any enterprising apparatchik would do: he flew to the neon-drenched cesspit of Macau to find a buyer, dreaming of diamonds and, god willing, a top-shelf air conditioner.

Now, on the other side of this magnificent fuck-up, you had the CIA. With the big red bear neutered, the boys at Langley were bored shitless. They were running operations so petty they’d make a homeowners’ association blush. One such brainstorm was “Operation Gilded Weasel,” a half-baked scheme to buy back Soviet hardware before it fell into the “wrong” hands—which, in the 90s, basically meant anyone who wasn’t currently starring in a buddy cop movie. A CIA front company, posing as Colombian narcos who’d seen *Scarface* way too many times, got wind of Pak’s flea market. They thought they were meeting a disgruntled Russian general. Pak thought he was meeting a drug cartel. The pre-arranged code phrase—“The eagle has a hernia”—was met with a blank stare and the counter-phrase, “Is there a discount for cash?” It was a match made in bureaucratic heaven.

The deal went down in the backroom of a casino that smelled of desperation and stale shrimp. Briefcases were swapped. Hands were shaken—sweatily. Pak hightailed it back to his girlfriend with a case full of (mostly non-sequential) hundred-dollar bills, and the CIA’s black budget suddenly had an extra $4.2 million it couldn’t explain. Did they use it to topple a dictator? Or prevent a genocide? Don’t be a fucking idiot. Of course not. A senior analyst, fresh off a divorce and a nasty peyote trip, convinced the deputy director to spend it all on the single dumbest “hearts and minds” campaign ever conceived: a traveling stage show.

It was called *America Sings! (With Agricultural Pride)*, a song-and-dance extravaganza designed to show the newly-independent states of Central Asia the joys of democracy through interpretive dance about crop rotation. It was a goddamn catastrophe. The lead actor, a failed soap star, was arrested for public indecency in Tashkent. The set, depicting a gleaming American combine harvester, was accidentally set on fire in Bishkek, causing a minor international incident. In Pyongyang, meanwhile, intelligence reports noted with deep confusion that the CIA’s primary cultural export appeared to be a musical number about soybean yields. Minister Pak was hailed as a brilliant counter-intelligence agent who had successfully wasted American resources on bafflingly terrible theatre. The CIA buried the after-action report so deep they had to use a goddamn oil drill. History, folks. It’s rarely written by the winners; it’s mostly just transcribed from the expense reports of morons.

This was somehow preferable to actual Communism.
This was somehow preferable to actual Communism.

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